Black Bag (2025): the spy who really loves his wife
Maximo Bratter ’25, A&E Editor
• May 12, 2025

What’’s underlying in The Underlying Chris?
Sylvia Woodbury ’27, Staff Writer
• May 1, 2025

Sinners (2025) genre-bends but does not break
Emma DiGiacomo ’25, A&E Contributor
• April 24, 2025

Live from Hamilton, it’s Emil Wakim!
Emma DiGiacomo ’25, A&E Contributor
• April 17, 2025

Netflix’s Adolescence and the new reality of hypermasculinity
Carlisle West ’25, Staff Writer
• April 10, 2025

The Studio misses its own points
Max Bratter ’25, A&E Editor
• April 10, 2025

Playboi Carti’s MUSIC: big, bloated and boring
Ian Brassard ’27, Staff Writer
• April 3, 2025

Caamp’s Somewhere (2025) is definitely worth the listen
Lucy Leness ’26, A&E Contributor
• April 3, 2025

American Events: an ongoing national tradition
Maximo Bratter ’25, A&E Editor
• March 6, 2025
Monsterization: categorizing people as “abnormal” from the Renaissance to the modern day
Sylvia Woodbury ’27, Staff Writer
• February 27, 2025

Reflecting on Chappell Roan’s WHCL interview
Max Bratter ’25, A&E Editor
• February 20, 2025

Battle of the Bands offers a glimpse at C&C Day
Bryna Jekogian ’25, Staff Writer
• February 20, 2025
Load More Stories

May 12, 2025
May 12, 2025
May 12, 2025