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SGA announces 2025-2026 election results
May 1, 2025
Hamilton students produce comprehensive report on youth gun violence in Utica
May 1, 2025
Pres. Tepper affirms support for Hamilton core values amidst attacks on higher education
May 1, 2025
Sustainability Coordinators kick off Green Week with Climate Action Plan presentation
April 24, 2025
Economics Professor Ann Owen breaks down Trump’s tariff policies in shifting economy
April 24, 2025
The Democratic party must reinvent itself
May 1, 2025
The Spectator’s Ins & Outs
May 1, 2025
The role of ‘incels’ in the 2024 election
April 24, 2025
Thoughts on the best mindset for navigating the last few weeks of college
April 17, 2025
Challengers: a stylistic masterpiece or an over-produced TikTok edit?
April 17, 2025
Long-time Hamilton Athletic Director Jon Hind ’80 retires after eighteen years
May 1, 2025
NFL Draft recap: Why did Shedeur Sanders fall to the fifth round?
May 1, 2025
Hamilton College Women’s Track and Field team breaks seven school records this season
April 24, 2025
NBA Playoffs series-by-series recaps
April 24, 2025
Hamilton Men’s Soccer head coach announces retirement after 26 seasons
April 17, 2025
This Week in Hamilton History: Affirmative Action talks on campus over 30 years ago
May 1, 2025
Senior Spotlight with Rachel Lion
May 1, 2025
Prof. Plakias breaks the Awkward silence
May 1, 2025
Review of BBQ Restaurant Piggy Pat’s
April 24, 2025
Hamilton alum working in foreign relations shares her experience working for USAID
April 10, 2025
What’’s underlying in The Underlying Chris?
May 1, 2025
Sinners (2025) genre-bends but does not break
April 24, 2025
Live from Hamilton, it’s Emil Wakim!
April 17, 2025
Netflix’s Adolescence and the new reality of hypermasculinity
April 10, 2025
The Studio misses its own points
April 10, 2025
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All content by Maximo Bratter ’25, A&E Editor
Mac Miller’s Balloonerism is literally and figuratively timeless
Maximo Bratter ’25, A&E Editor
February 3, 2025
“The Apprentice” (2024): an ongoing period piece
Maximo Bratter ’25, A&E Editor
November 7, 2024
Anora is Cinderella with a twisted contemporary edge
Maximo Bratter ’25, A&E Editor
November 1, 2024
With Megalopolis, Francis Ford Coppola has his cake and eats it too
Maximo Bratter ’25, A&E Editor
October 25, 2024
Uncle Luke: legal guardian of the 1st Amendment
Maximo Bratter ’25, A&E Editor
October 10, 2024
Roger Dodger’s (2002) timeless toxic masculinity
Maximo Bratter ’25, A&E Editor
September 19, 2024
Alex Garland’s Civil War is too civil for its own good
Maximo Bratter ’25, A&E Editor
May 31, 2024
Taylor Swift is not as influential as she is popular
Maximo Bratter ’25, A&E Editor
May 4, 2024
The concentric circle life-span of Zoomer fashion
Maximo Bratter ’25, A&E Editor
April 15, 2024
MF DOOM doesn’t like hip-hop
Maximo Bratter ’25, A&E Editor
November 15, 2023
Is all publicity good publicity for artists?
Maximo Bratter ’25, A&E Editor
October 26, 2023
Upcoming albums to look out for
Maximo Bratter ’25, A&E Editor
October 23, 2023
Producers vs. Providers: A war of attrition
Maximo Bratter ’25, A&E Editor
September 8, 2023
Spec’s Spring Playlist
Maximo Bratter ’25, A&E Editor
April 20, 2023
Tyler, the Creator is a changed man
Maximo Bratter ’25, A&E Editor
April 10, 2023
New York Rapper Directory
Maximo Bratter ’25, A
and
Maximo Bratter ’25, A&E Editor
March 8, 2023
Hip-hop’s modern musical architect
Maximo Bratter ’25, A&E Editor
February 23, 2023
Why do musicians’ releases fall short?
Maximo Bratter ’25, A&E Editor
February 2, 2023
Album Review: Luv 4 Rent by Smino
Maximo Bratter ’25, A&E Editor
November 3, 2022
Vinyl’s revival in the music industry
Maximo Bratter ’25, A&E Editor
October 27, 2022
Social media has made everybody a critic
Maximo Bratter ’25, A&E Editor
October 7, 2022
Hip-hop collaborations have lost their spark
Maximo Bratter ’25, A&E Editor
September 8, 2022
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